Bill Withers Live at Carnegie Hall on Numbered Edition 180g 2LP
Easygoing Portrait of Down-Home Soul Singer Coming Into His Own and Establishing an Indelible Bond Between Performer and Audience
On par with the most treasured concert albums of the 60s and 70s, Bill Withers’ transformative Live at Carnegie Hall is a forgotten classic—an easygoing portrait of a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances’ balance and improve the soundstaging, this reissue takes you inside the venue.
Moreover, aspects that really make this concert document unique—the energetic crowd, Withers and his band’s willingness to extend arrangements, and the undeniable communicative bond between the performer and his fans—are brought into fuller relief. While most live albums give you the sense of what transpired, our reissue allows it to seem that what you’re hearing and sensing is happening right now, in the moment. You are as much a participant as listener. For this reason and more, Live at Carnegie Hall ranks with James Brown’s Live at the Apollo and B.B. King’s Live at the Regal. No small claims, but the proof is in the grooves.
The antithesis of the sweaty R&B shouter that prowls the edge of stages, Withers deals in mellowness and vulnerability, qualities that come to fore. The songs here span soul, blues, and folk and often times, contain elements of all three styles. Live at Carnegie Hall also deals with serious subject matter with unflinching honesty and simple directness. Companionship, poverty, war, maturity, family, and love all crop up within Withers’ tunes, yet the messages are never overly cumbersome or preachy. Credit goes to his easygoing style and relatable lyrics, not to mention a tight-as-a-vice band that on this night is simply “on.”
“One more time?” Withers asks in response to a request for another stanza during “Use Me,” and like the snap of fingers, his musicians are right back on cue, the crowd clapping along on every beat. This classic, as well as the instantly familiar “Ain’t No Sunshine,” poignant “Grandma’s Hands,” and all-time favorite “Lean On Me” are delivered with utmost soulfulness, passion, and electricity. Few, if any, live albums demonstrate such a bond between the crowd and artist as Live at Carnegie Hall. You’ll definitely want to be there.
Bill Withers Live at Carnegie Hall Track Listing:
1. Use Me
2. Friend of Mine
3. Ain’t No Sunshine
4. Grandma’s Hands
5. World Keeps Going Around
6. Let Me In Your Life
7. Better Off Dead
8. For My Friend
9. I Can’t Write Left Handed
10. Lean on Me
11. Lonely Town, Lonely Street
12. Hope She’ll Be Happier
13. Let Us Love
14. Harlem/Cold Baloney
Eazy-Duz-It is the debut studio album by American hip hop artist Eazy-E, released on September 13, 1988, by Ruthless Records and Priority Records.
The album charted on two different charts and went Double Platinum in the United States despite very little promotion by radio and television. Three singles were released from the album, each charting in the US. The remastered version contains the 1992 EP 5150: Home 4 tha Sick. The 25th anniversary (2013) contains 2 bonus tracks, a 12" remix of "We Want Eazy" and a 12" remix of "Still Talkin'".
|2 Hard Mutha's|
|Boyz-N-The Hood (Remix)|
|We Want Eazy|
|Eazy-Er Said Than Dunn|
|I'mma Break It Down|
|Eazy Chapter 8 Verse 10|
Kick is the sixth studio album by the Australian rock band INXS, released in 1987 by WEA in Australia, Atlantic Records in the United States and Mercury Records in Europe.
As the band's most successful studio album, it is certified six times platinum by the RIAA, and spawned four US top 10 singles, "New Sensation", "Never Tear Us Apart", "Devil Inside" and "Need You Tonight", the last of which reached the top of the Billboard singles charts. At the 1988 MTV Video Music Awards, the band took home five Moonmen for the "Need You Tonight"/"Mediate" video.
|A1||Guns In The Sky||2:21|
|A4||Need You Tonight||3:01|
|A6||The Loved One||3:37|
|B2||Never Tear Us Apart||3:05|
|B5||Calling All Nations||3:02|
Cosmo's Factory is the fifth studio album by American rock band Creedence Clearwater Revival (CCR), released by Fantasy Records in July 1970, and released as Fantasy 8402 – the same month as the single release of "Lookin' Out My Back Door" with "Long as I Can See the Light" on the B side.
The name of the album comes from the warehouse in Berkeley where the band rehearsed early in their career. It was dubbed "The Factory" by drummer Doug "Cosmo" Clifford, because bandleader John Fogerty made them practice there almost every day.
|Before You Accuse Me||3:24|
|Lookin' Out My Back Door||2:31|
|Run Through The Jungle||3:09|
|Up Around The Bend||2:40|
|My Baby Left Me||2:17|
|Who'll Stop The Rain||2:28|
|I Heard It Through The Grapevine||11:05|
|Long As I Can See The Light||3:33|