If we take ourselves back 30 years the talk of the town was CD and digital and apart from a few dedicated stalwarts vinyl records were a thing of the past and had served their time in history. People for many years after that time delivered their vinyl collection that had been treasured for years delivered it to the Op Shop or tragically the tip as they saw it as the past, enjoyable but gone.
Much enjoyment and memories were created for so many music lovers by playing their records and their favourite artists with the clicks and pops accompanying their record playing experience. The whole tactile experience of playing a record from reading and viewing the cover notes and artwork to placing it on the turntable was a special and treasured experience. Unfortunately low quality tonearm technology and poor isolation didn't deliver the true atmospheric vinyl experience. Then came CD with it's clinical ease of application that made it all a lot easier with load and play and track selection at the push of a button. No clicks and pops and an unexperienced convenience of use, it was truly easy. But something was missing. The whole experience of the music.
Step back to 1980 when we felt that spending $1000 on a hifi system that was based on a turntable, amplifier or receiver and a pair of speakers would transcend the music listener to a new space, and it did, truly the best of technology at the time for what people could afford. To put things in perspective a Commodore sold for $8,000 at the time. The average price of a turntable at this time was $200 to $300 and at that price we thought we were getting the goods. Unfortunately, a plastic chassis with a low performance tonearm didn't extract the musical information from the record groove.
As a comparison, Rega had started producing turntables in the UK in 1973 were delivering the beginnings of affordable quality turntables but they weren't priced at $200 to $300 so few people experienced the potentials of what vinyl could deliver. The cutting edge at the time was a Linn Sondek. Handmade in Scotland, these exquisite pieces for those few who could afford them at multiple $1,000's gave a correct understanding of the information that was in the vinyl groove.
In 1990, electronic amplifier designers threw in the towel and stopped including a phono preamplifier in their designs. An economic decision that made sense at the time. Whilst this was happening there were people out there like Heinz Lichtenneger who founded ProJect Audio in Austria that had been selling refurbished Thorens turntables that were popular with his new founded market. He then took the plunge and started designing turntables and producing them in the old Tesla turntable factory he acquired in the Czech Republic. His designs gathered popularity as they brought the sound of vinyl to life at exceptionally affordable prices. Over years this process gathered momentum and the ProJect Debut was released and there were accolades for it's design. It evolved into the Debut Carbon that became one of the best selling turntables in the world for it's affordability and performance.
Meanwhile,in the background, Rega were evolving their designs and bringing more music to the people at more affordable prices. They had stepped up their tonearm technology and isolation designs. If you listen to the founder and chief designer Roy Gandy in his interviews on Youtube he speaks of his passion to deliver music on vinyl that creates a special experience to the music lover.
Founder of Rega, Roy Gandy says: "The turntable is a whole. The arm, the cartridge and the turntable itself is a measuring machine and it measures vibration. You can't make it perfect. But you design the compromises to get the closest to perfection". In a number of conflicting engineering parameters Roy says "the energy seems to come from the record. Once a record is rotated and the stylus starts moving there is energy".
Many people don't know that Rega hand assemble their tonearms in their UK facility. They have technicians that are trained to hand pick the tonearm bearings for their turntables. Rega handmake their cartridges in their UK facility to have a 2 part construction as against a 7 to 8 part construction that is the norm in most phono cartridge construction. What we are saying is that there are designers that are understanding new technologies that make vinyl tell it's truth. It is a special medium that cares for the listener and delivers.
Then there is Audio Technica whose history stretches back to 1962 and in their growth they developed not only cartridge technology but their adventures into tonearm technology and turntable design have brought us affordable turntable designs that have delivered much enteretainment and quality to the vinyl listening experience.
And we have MoFi. Mobile Fidelity have had access to master tapes from classic artists including The Beatles and The Rolling Stones to create Half Speed Mastered versions on LP and CD that are still considered a benchmark in record quality. A few years ago they decided to design and produce 2 models of turntables, 2 phono preamplifiers and 3 cartridge models that set new benchmarks in their price categories. Incorporated technologies include a longer 10 inch tonearm for less inner groove distortion and a Delrin by DuPont platter for an improved record playing surface. After the MoFi UltraDeck turntable was named the Best Analogue Product of 2018, there has been further reviews...."It’s no accident that MoFi’s first turntable effort is at the top of the class with their first effort – they have a crack team behind it. Allen Perkins from Spiral Groove was tapped to guide the turntable design, and his Spiral Groove tables are some of the best made at any price."
The technological development of tonearms and what they do in the record groove has been a key to discovering how much information is in the record groove. Combine this with the understanding of isolation from external vibration and noise has given us the truth that is playing vinyl records - they deliver the whole experience - just sit back and enjoy - and relax - vinyl is back.
We are in a special place with music enjoyment. Designers are bringing all of the music to us. We are a long way from MP3 and we are blessed with the reconnection with vinyl. Time to enjoy and take yourself away to something that is special.
And don't worry if you don't have an audio device that has an input but not an inbuilt phono preamplifier. We have a range of turntables with an inbuilt phono preamplifier that make it easy for connection even to your WiFi system. CLICK HERE to see our range .
Please click on the highlighted links to go to the specific product or CLICK HERE to view our turntable range.
]]>Does my record player come with speakers? The simple answer is no, no it doesn’t. Read about what to expect and what not too...
]]>The simple answer is no, no it doesn’t. Despite popular opinion, due in large part to those cheap little suitcase things, record players do not come with inbuilt speakers. In fact, there are four separate components necessary for any record to make sweet sweet music, it’s just that the suitcase setup has them all wedged into one unit. Now it sounds appealing, at least considering its price. However, the sound quality is anything but. A moderate table alone starts at around $300, a good one at $500, and rising from there you really start to appreciate the true value of analogue audio. But all that is for another time. For now, lets go through the basic set up and dispel a couple of myths.
The above list comprises of four individual components needed to make music from vinyl. And considering most people know what one or more of these things do we’ll try not to focus too much on details. But for the sake of clarity, we’ll go through the most basic functions in their relation to records.
Put simply, a record is a vinyl disc with groves etched into it. The groves being a physical form of sound vibration or, in more specific terms, sound information. The easiest analogy might be that records are like brail for the blind: the etchings in your record are a physical form of sound information the turntable reads. In this case it’s acoustic information, and it’s the turntable’s role to read that information and convert it to electrical signals. The tone arm swings across, the needle drops, and it vibrates according to the grooves cut into the record. Finally, the cartridge at the end of the tone arm turns those vibrations into electrical signals and sends them on to the next link in the chain. That’s it. That’s all it does. The turntable reads the record and turns it into electrical signals. Simple as that! Well, look, it does a lot more than that but at its core that’s its basic function.
Now, the signal produced by the turntable is analogue – as apposed to a digital, meaning it’s very weak (approximately 1,000 times less than the output of a CD player). So before you can plug it into an amplifier you have to send it through a pre-amp to wind the signal up. The pre-amp or phono stage as it’s commonly known is a mini amplifier for the weak signal coming from your turntable. If an amplifier is an engine for your speakers then a pre-amp is an engine for the electrical signal coming from your record player. Back when vinyl was the most common source of music every amplifier had a phono stage; these days it’s a little less common. However, thanks to the resurgence in vinyl’s popularity some turntable manufactures build them into their turntables and some amplifier manufactures again build them into their amplifiers. Either way, they’re essential to the process of playing records.
So, thus far we’ve got record to turntable, turntable to electrical signal, electrical signal to pre-amp, which revs it up and makes it stronger. Following? Cool.
The next link in the chain is the amplifier, and to put it very simply the amplifier is an engine for your speakers. Contrary to popular opinion you can’t just plug speakers into a record player and get sound. Speakers alone are like a car without an engine, and without the engine you’re not going very far. No engine, no sound. And if we’re using automotive analogies then we’ll envision the electrical signal as the car’s fuel, the amplifier the car’s engine, and the speakers all the parts responsible for the car’s handling. Alone, none of these parts let you to drive anywhere, but together you get action and it’s much the same with analogue music.
A turntable’s specific function is to read and interpret records, turn physical grooves into electrical ones. Pre-amps and amplifiers do exactly what their titles suggest, they amplify electrical signals so you get volume. And speakers convert the electrical signals back into sound waves so your ears can drool over the velvety tones of vinyl records. Now, I know what some of you are thinking. I’ve got a Bose portable speaker and it makes music! Yes, it does. But whether or not you know it, and many people don’t, there’s a little amplifier in that portable speaker powering it. Speakers don’t make noises on their own, and neither do turntables.
So when you’re looking to purchase your first turntable bear in mind you’ll need a few other things to go with it: namely, you’ll need a pre-amp, amplifier, and some speakers. You don’t always have to buy them individually, and you might already have a few of these things in which case you may only need a turntable and pre to get you started. But if you’re new to this – and look, it’s completely cool, so many of us are and that’s why Vinyl Revival exists! – just be aware you won’t get music from the record player alone. Oh, and trust us on this one, whatever noise is coming from those cheap little suitcase things sure as heck aint music either.
If you are looking for quality alternative with only two individual components, powered speakers could be a very cost effective and space saving solution. Powered speakers have typically been the realm of computer or benchtop speakers that have been a satisfactory replacement for the tiny speakers that have emitted sound from your laptop and present a fuller sound than was previously delivered from the micro speaker within your computer. However, they still provide a poor substitute for quality amplification and current hifi speakers technologies and designs that deliver the dynamics and fast transient response that bring the music to life at whatever the volume.
Things have changed substantially for the better. We now are finding speaker designers including famous ones that are recognising that active or powered speakers not only can deliver the convenience of compact design with high quality hifi amplifier and speaker cone technology that is matched to deliver exceptional performance but also incorporates modern technologies that create convenience and deliver wireless connectivity that makes the whole thing make sense.
Discover more: CLICK HERE
]]>There are very important reasons why turntables vary in price. They vary from the quality of the design, the build quality of their components, the materials of which they are made, and the engineering expertise that has been incorporated into them.
Back in the 1970's/1980's when turntables were in their heyday, most people owned a mass market turntable that really didn't do justice to playing records and deceived people into believing that CD's sounded so much better. Today, there are many more people with the complete opposite opinion and because of advances in technology and engineering expertise, music listeners are now able to purchase a turntable anywhere from $300 that sounds as good as a turntable that would have cost $1000 in the 1980's. In doing so, they are rewarded with the warmth, detail and sweet sound that is listening to vinyl.
There are several parts of the turntable that contribute to this superior musical performance. The first is the overall design principles incorporated into the turntable. Rigid design with vibration minimisation is the main goal of current turntable design.
The tonearm is a critical part of music reproduction. The stylus has the difficult job of tracking the record groove and extracting all of the musical information. The tonearm is the platform on which this all happens. Basic tonearms on cheap turntables do a relatively poor job of this, resulting in poor quality sound and high record wear and tear. In better quality turntables, the tonearm, and its mounting and bearings, improve in their precision which results in a higher quality sound.
The turntable platter is also a very important part of attaining quality music listening. Again, on cheap turntables, either a thin plastic or metal platter provides a poor platform on which the record is played. More expensive turntables seek to have a platter that provides a solid platform to help in isolating the record from outside vibration. They are made from various materials including glass, machined aluminium and high density acrylic which are balanced to ensure stability and speed accuracy.
Then there is the critical point of contact with the record, the stylus/cartridge. Again, cheap turntables come with a stylus/cartridge worth about $30 and tend to perform a "road-grading" effect on record grooves. They have low quality stylus tips that extract a minimal amount of information from the record. This "road-grading" effect also means that they cause irreversible damage to the record grooves which could have a detrimental effect on your future musical enjoyment. Higher performance turntables come standard with a generally more expensive stylus/cartridge which accurately tracks the record groove, retrieving much more musical information, whilst minimising damage to the record groove. As you go up through the range of turntables, the stylus/cartridge combinations continue to improve and therefore the performance does too.
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The phono pre-amp has to take these microvolts and turn them into the 1.5ish volts that your sound system would expect from a DVD player, a streamer, or any other playback device (this is 1,000 times amplification). When we think about the ratio, this can be doing more amplification than the actual amplifier that’s powering your speakers. The quality of your pre-amp can have a huge effect on the end result of your system’s overall sound quality. It often gets overlooked, but it is an amazing way of giving your records a higher level of detail, and a tighter bass
What is a Phono Preamplifier?
Digital tunes are convenient, quick methods of playing music. Yes, they’re already at a line level and therefore very accessible, but you’re only getting part of the story. Depending on the quality of your source material, MP3, WAV, FLAC, whatever, you miss a lot of the information within the original recording from favourite LP. There are ways to alleviate this with DACs and higher quality network players, but let it be known that in theory a digital source point can never deliver you the kind of detail an entirely analogue system can. An entirely analogue system will always deliver greater nuance, more dynamics, better detail than any digital method of playback. But, in order to do that you need a phono pre-amplifier in your system.
We have some real treats available such as the ProJect Phono Box, the Rega Fono Mini 2AD, the Musical Fidelity LX2-LPS, the V90-LPS,the Cambridge Audio Alva Solo and Duo the Mofi StudioPhono or even a ProJect valve phono preamp to take your vinyl listening to another level. Discover our range of quality phono preamplifiers. CLICK HERE:
https://www.vinylrevival.com.au/collections/phono-pre-amplifers
Turntables with an Inbuilt Phono Preamplifier
Of course, many of the major better quality turntable brands such as Audio Technica, Rega and ProJect Audio offer a range of options with quality phono preamplifiers built in to the turntable that facilitate ease of connection to audio systems that don't have a phono preamplifier......and in many cases they may be better that the inbuilt phono preamplifier in your old amplifier as technology has moved on. They typically will enhance your vinyl listening experience....and that has to be a great thing. Discover our range of quality turntables with an inbuilt phono preamplifier. CLICK HERE:
https://www.vinylrevival.com.au/collections/turntables-with-built-in-preamp
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It’s an easy world with an automatic turntable. You simply slip on your favourite LP and hit the start button, the turntable does the rest. Simplicity equals elegance and elegance offers convenience, and there’s hardly a more convenient method of playing records than through an automatic turntable. It does the work while you do whatever the hell you want. Now, this equation is often met with the same old audiophile complaints, additional moving mechanical parts equal additional vibrations, which in turn affect audio quality. And in a perfect world this is perfectly true. But at five hundred odd dollary-doos for a turntable those affects are marginal at best, and what the audiophiles often miss are the aesthetic affects of the listening experience. From LP cover art to the careful arrangement of your home set up, playing vinyl is a physical medium. It’s not designed to hide in the background like a lot of digital offerings. It’s meant to be present, at the forefront of the listener’s experience. The method by which we listen to our music has a very tangible affect on the pleasure of that experience; therefore, the benefits of an automatic setup - if you’re so inclined - have the potential to counter any audiophile detractions.
It’s a pretty simple decision for many to choose an automatic turntable. Convenience is king. You slap down a record and press play; that’s it! Hard to argue with, really. And I know what you’re thinking, it sounds like the lazy man’s turntable. I get it. But why exactly is that such a bad thing? None of us are immune to those late night LP sessions, drunk behind the wheel of our own turntables and passed out before we’ve had time to raise the tonearm from Jimmy Page’s 127sec mind bending blues solo on Tea For One, closing track from Zeppelin’s seventh album, Presence. Who the hell wants to sit up, straight, waiting around for that? I sure as shit don’t! Neither should you. And while the jury is still out (meaning the ongoing ping pong audiophile forum arguments) on exactly how bad that can be for your stylus, I think we can all agree it’s better to err on the side of caution here. So if flippin’ records without the frustration of cueing your stylus is something that speaks to you it might be time to look at an Automatic Record Player
]]>In a word, yes. You absolutely can play records through your Sonos system. It’s why we both support and love the work that Sonos are doing. Founded in 2002, the US-born company set out to conquer the digital music market. They originally began without speakers in their line of products, instead offering bundle packs consisting of earlier version Connect and Connect Amp products. However, it wasn’t long before they were introducing smart speakers into the mix. Fast track to 2021 and Sonos are now a global player – in more than 60 countries, in seven languages, and through thousands of retailers. They’re big, really big. So how can you play LPs through your Sonos?
There are several ways to go about this, and I’ll detail all of them individually below, but whatt's important to know first is exactly what you’ll need before you choose to connect to any Sonos product. Important also is to understand exactly what a Sonos speaker is and how it applies to a traditional analogue music system.
There are four core components to any analogue music system, and without one of these four core components you’re not going to be able to play records.
These are:
1.Turntable
Now, when we talk of a Sonos speaker, it’s not really just a speaker per se. It's an ‘active’ speaker, meaning there’s a tiny amplifier built into the speaker housing that powers the tweeters and woofers that produce the music. You don’t use an external amplifier to drive these speakers because they’re already equiped with their own. This is important to note, because if you’ve got yourself a Sonos speaker you’ve affectively got yourself two of the four core components necessary to play vinyl records: the amplifier and speaker. So what you’ll need in order to complete the list is (a) a turntable, and (b) a phono preamplifier. But there’s no need to purchase these two separately, and in fact what’s often most attractive about a Sonos music system is its minimalism – all you need is a wall socket and you’re in action. So, having a turntable with a built in phono preamplifier is an equally attractive option to customers interested in Sonos, and we sell many.
There are three products within the Sonos range that you can connect a turntable to. Those are the Sonos Play:5, the Sonos Connect, and the Sonos The Amp. Each have their own unique functions, and we’ll go into the details in a little bit, but be aware. These are the only products you can connect a turntable to. You cannot directly connect a turntable to any of the other products in the Sonos line-up as these products don't have inputs that will accept a turntable. They’re all speakers you can group your turntable’s music to, provided you’re already hooked up to the right Sonos product, but it must be physically connected to one of three devices:
This one’s my favourite. It’s easily Sonos’ highest performing music speaker within the range. It’s a monster. Six digital amplifiers perfectly tuned to their respective speaker drivers (three tweeters and three mids) that can be stereo paired, if you’re buying two, as well as acoustically tuned to the room you’re playing it in. They’re an impressive speaker.
On the back of the Play:5 you’ll find a small Audio Line-in input. It’s a 3.5mm auxiliary (AUX) input that will allow you to connect your turntable directly into the back of the speaker. What you’ll need, and what most turntable’s with inbuilt phono preamplifiers offer, is an RCA (two cables, red and black) to a single male auxiliary jack (looks like the end of a headphone chord). The RCA’s connect to your turntable and the auxiliary input connects to your Play:5. Simple.
What’s so cool about this setup is that the Play:5 will immediately recognise you’re playing vinyl the minute the needle hits the record. No need to go into your system setup and switch lines, Sonos does it automatically. Also, you can group any existing Sonos speaker to the Play:5 and they’ll play simultaneously, sending a wireless signal to other Sonos products in the house. This is the perfect choice for folks who have existing Sonos speakers but no home audio system with amplifier and passive speakers.
Tip: You can get started with one Play:5 or grab yourself a pair.Say you’ve got a bunch of Sonos speakers around the house but you’ve got one sweet spot you want to put a new turntable and there’s no room to saddle up a Sonos Play:5 beside it. You want vinyl tunes throughout the house but you want the turntable in a very specific spot. Not a problem. The Sonos Port is your perfect Sonos product.
You hook up your Turntable (with inbuilt phono preamplifier of course) to a Sonos Port and it will wirelessly transmit the signal to any other Sonos product in the home. Now, bear in mind you’re not going to get any music from the Port itself, because it isn’t a speake. It’s that easy.
At the back of the Sonos Connect is an Analogue Audio line in. This is a set of RCA connections (Red and White) for your turntable to plug in to. There is also a Analogue Audio Line Out so that your Port could be plugged into an existing system to turn it into a Sonos system. It also comes with Optical and Coaxial inputs as well, should you wish to connect a CD/Network player. But we’re not talking about those. We’re talking records.
This is the kind of setup for people with a very particular aesthetic. They’ve got a beautiful cabinet picked to display their brand new turntable, the showpiece of any respectable home, and they don’t want it cluttered with other junk. You hide the Port in the cupboard and display only the turntable. It’s simple, it’s chic, it’s everything you’ve ever wanted.
Alright, alright, alright. We’re down to the last of the three components to get analogue tunes through your digital Sonos speaker system. And much like the name suggests, there’s very little difference between the Port and the Sonos Amp. One is simply a Port, the other has an inbuilt 125W per channel amplifier and speaker terminals to drive some passive speakers. Pretty simple stuff. It does everything the Port does only the Sonos Amp also has the power to drive a set of speakers that aren’t Sonos.
Say you’ve got a pair of existing bookshelf speakers. The remnants of a stereo system you once played religiously. But your partner wants an upgrade – maybe you want an upgrade – to something sleeker, more intuitive, and a little 21st century. Only, you never could part with those old three-ways. Now you don’t have to! You plug the turntable into the Sonos Amp and it fires up those old gold speakers like they were brand new again.
Now, you might just be wanting a brand new set of speakers from a highly regarded speaker brand but you’re also looking to stream tunes. No need to buy an amp and separate streaming; the Sonos Amp is an all-in-one. Now you can stream music through 80+ streaming services and control it all with the convenience of a mobile device. No more remotes, mate. We’re done with that. You control your tunes through your smart devices. The future is here, folks.
The point of the Sonos range is to add a little convenience to the music in our homes. If you’ve only got a small apartment or a single bedroom you’re playing from then a more traditional system will work best. But for music throughout the house it couldn’t be more simple than Sonos. And the best part is they’ve recognised the importance of analogue tunes in the minds of music lovers the world over and chosen to work with it rather than against it. This is the product for those who do just as much streaming as they do flipping LPs. And they’re handy as hell for playlists when you’re entertaining guests. Go forth, vinyl junkies, the future looks bright for both forms of music, analogue and digital.
There is an argument that vinyl has a better frequency response than CD due to the limitation of the Digital Encoding Standard. In practice, the maximum frequency for a CD is around 20Khz. An LP does not require the encoding process to convert the audio to a digital standard, as the recording stays as an analogue signal and so the maximum frequency is determined by the quality of the vinyl, the recording and the playback equipment. The distortions and limitations introduced by digital conversion are very different from a purely analogue process and are more significant at the lower resolution format of a CD. These digital distortions such as granulation, jitter and other nasties generated by the digital filters are more objectionable to the human ear than the simple analogue equalisations of a vinyl record. Some will point out that modern vinyl records are digitally recorded in the studio, but the conversion to analogue takes place at high resolution with professional equipment. With a CD, the digital to analogue conversion takes place in your CD player at the lower resolution dictated by the CD Standard.
The resurgence of vinyl has prompted an Austrian firm to file a European patent describing HD (High Definition) vinyl. Unlike current record production that is based on 1960's technology, HD vinyl uses computer generated 3D modelling techniques to describe the groove topography. Although this part of the process is lengthier than simply cutting a groove in lacquer, the result effectively "masters" the topographical data by adjusting the frequency characteristic, correcting radial and tangential errors and dynamically adjusting the groove spacing before burning the audio directly onto the HD vinyl stamper using a laser. Stay tuned, it would seem that vinyl has a bright future.
]]>Short answer, yes. Whilst vinyl is relatively robust, it has several things that you must be mindful of in order to maintain it's amazing ability to reproduce music in an atmospheric way. Many don't realise that dust particles are uncannily attracted to vinyl. Static electricity plays a big part in vinyl attracting unwanted elements that not only descend on your precious vinyl but sit in the grooves waiting for a stylus to track over them and embed them into the vinyl and create those clicks and pops that detract from the wonderful audio experience that we all enjoy.
At Vinyl Revival we have trams that pass by outside and they unfortunately are a major source of dust for us, as they use sand everytime they put on their brakes which can find its way into our store. Very hard grit is an enemy of vinyl and the stylus on your precious turntable. Sand grit and vinyl are not good company, the vinyl will lose every time.
That's why we recommend and sell an enormous amount of record cleaning equipment. The absolute minimum in protecting your records is to have a quality record brush and a stylus cleaner. Products such as the Pro-Ject Brush-It or the AM Velvet Brush and the Pro-Ject Clean-It stylus cleaner are mandatory to maintain the quality of your vinyl. These will quintessentially help you protect your precious vinyl. If your vinyl is dirty or you've picked up a classic album secondhand, a liquid cleaner such as the AM Record Cleaner or the locally-made Wax Wash Original Solution will help get those nasties out of the grooves. As well as all of these, there are vinyl cleaning systems such as the Project Spin Clean that make it easier and quicker to give your records a deep clean. Vinyl is a special listening piece that if it is looked after will reward you in spades.
]]>To skim over the basics, the stylus sits in the record groove which is rotating at 33 and a third revolutions per minute (RPM) for an LP and as the record rotates it allows the stylus to ride the grooves and reproduce the music within. The reproduction is done via a mechanical to electrical transfer and the magic of analogue happens. This electrical signal is transferred to the amplifier and reproduced by the speakers. Obviously, this is an over-simplication as the quality of the equipment that is reproducing this sound makes a huge difference to how the transfer of information occurs and what the final product sounds like.
Whatever the case, from the cartridge and stylus combination, to the isolation of the turntable from noise and vibration within the design, it is important to find a great piece of vinyl playing kit that helps you discover the nirvana of playing records.
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